Archive for the ‘Uncategorized’ Category

to the north

Heading off today, north! To festival! To Harrison Hot Springs! Back on Monday. I’ll probably be tweeting a lot tho’. Remember: send any geekmusic news you have for the podcast by Monday if at all possible! If you don’t have any, forward that link around to people who might.

Here, have an awesome link – I actually already knew some of this but not this particular early outright-digital state. Ironically, I think this process got more analogue before it got less – there were comparably-small machines in the 60s and 70s which did more or less this, only with a single copy of the photo print. But they sent over ordinary phone lines, and I think those machines were varying tone in a more analogue fashion. But I could be wrong; maybe they were digitising down to these same five-bit images. Anyway, enjoy:


How Photos Were Cabled Across the Atlantic Ocean in 1926

Finally, welcome Radish Review readers; I think you’ll find this post on harassment in person vs. online trenchant. It’s called “Power and Supervillainy.” And my regular readers may also enjoy Scalzi’s Q&A on his anti-harassment-policy policy, including complaints made by some calling his policy anti-free-speech, an idea about which I can only giggle sadly, not manically. And if I’m not giggling manically, you are doing it wrong and I have a heat ray. Shape up – or else.

TO THE NORTH!

send news items now

I’ve just recorded the feature segment for the next Geekmusic Podcast – we talk to Heather Dale about the new game Gates of Camelot – and I’ll be recording the news segment when I’m back from British Columbia, early next week. So get me your news items NOW, and tell anybody else you know who might have geekmusic-related news to get it to me!

Also, if you’ve had problems using the contact form because of bad CAPTCHAs, we’ve fixed it… by turning CAPTCHA off. I don’t know what triggers it, but sometimes the form just starts throwing out the wrong graphic. I thought it had to be cache-related, but turning all that off didn’t fix anything, so yeah, no.

The weird part is that it works just fine for Anna. Exact same plugin. I have no idea why.

Finally, your SFWAdenfreude Update: Mary Robinette Kowal’s PLEASE SHUT THE FUCK UP to the people she calls the 12 Rabid Weasels of SFWA has really taken off. I tweeted about it yesterday; it’s kind of awesome. Apparently, it made Gawker today, which is kind of a big deal – but I don’t have a link. And Scalzi has put up a co-sign thread for people who wish to declare a harassment-policy policy akin to his. Enjoy the fireworks!
 


laughing at a streetview prank / changed the view to find my place / sudden scent of tokyo bay
#irrationallyhomesick

fiddler at work

The talented Sunnie Larsen, as seen from the engineer’s desk, recording tracks for the Bone Walker soundtrack album.


The sound is clearer than the photo

If anyone’s curious, the two microphones involved are an Octava 012 (underneath, for lows) and an AKG Perception 200 (overhead), which seems to like Sunnie’s violin.

More SFWAdenfreude: word is that SpecFriction, the site leaking all the SFF.net SFWA commentary, is getting DMCA takedown notices. Grab screencaps while you can. Also, you may be interested in S. L. Huang’s comprehensive timeline of the SFWA clusterfuck. Finally, Anna links to some juicy sexist criticising-me-is-violating-my-free-speech whinging in her latest post.

I love fireworks season, don’t you?
 


eta: Mary Robinette Kowal just lets some people absolutely have it. Tasty.

power and supervillainy

Over at Livejournal, Brooke writes about harassment at SF conventions in a long post worth reading, not the least of which being for the observation that men, overwhelmingly, have no idea it’s even going on.

There’ve been a lot of these posts lately; Amy’s post specifically got Brooke going; Scalzi hosted a guest post by Elise Matthesen about how to report harrassment after getting creepered by James Frenkel and a followup post laying down conditions for his attendance (I’d’ve written about that last week if I hadn’t been on the road); and Jim Hines talks about how Mr. Frenkel’s been doing it for years, because people get talked out of formally reporting it.

And there are many more, because a lot of women in fandom have decided that they’ve had enough of this bullshit.

I’ve seen this too, of course. I’ve talked about my adventures with Neckbeard Wondermen who lecture me – errantly – about computers. I’ve certainly had my share of talking-over… attempts. And I’ve had – in the past – the gropers and such.

But I don’t get harassed on the same scale. Not close to it; not in person, which is an important distinction. I’ve intervened between creepers and targets; I’ve got them thrown out of conventions – tho’ I’ve no idea how permanently – and I’ve seen it often. But I’m just a little too scary.

See, here’s the thing: harassment is about power. It’s about dominance, it’s about pushing people perceived as weak around, because you can, and because it’s safe to do so. The societal context tells men it’s okay to go after women in this way – large-scale religions tend to have this as a core value – and the constant barrage becomes wearying, making it easier. A slow grinding, if you will. (See, again, Brooke’s post.)

And all I had to do was become somewhat notorious as a supervillain with a penchant for disproportionate violence and questionable stability to stop it… in person. I have broken peoples’ ribs for pushing the wrong button – no, literally, for pushing the wrong physical button, it’s a funny story, I should tell it sometime.

To paraphrase The Annihilator, once one does that, choosing me as a target doesn’t seem so very safe anymore.

In person.

But get on, say, YouTube, or Google+, where there’s a lot of physical separation? And all those plays pop right back out.

Last year, Shanti and I hosted a series of online Google+ musical hangouts. They weren’t the hangouts-on-air, they were the original type, still in operation, where the attendance is limited to ten and you can’t boot people out. We were taking turns playing and inviting others in; the first couple of times were a lot of fun, and we met some people.

And that’s when the creepers started arriving.

Without fail, after that, when either of us did these, we’d start seeing men who would pop in and masturbate at us on camera. Whether we were both there, whether it was just one of us hosting alone, who else was in the room, none of that mattered. I hosted a session one night where I had four. They’d come in, drop pants, set camera on engorged dicks, and masturbate at us.

And we couldn’t kick them out. The only way to block them was to get everyone in the room to block them, and that was almost impossible – particularly when they’d show up in pairs to prevent it.

See, it’s all about power. The sexual component is power, and – even moreso – in violating your consent. And I can be all the supervillain I want to be, I can be as scary and intimidating in person as I want to be – but that doesn’t help if I don’t know where they are and can’t reach them.

Did we report this? Oh hell to the yes. Over and over again. We begged them for a solution of some sort, a moderated version of the hangout that would let us boot these people.

Google never even responded, not once, no matter how much we reported it. So I started posting about it in public; nothing. And then I took it to Twitter, posting about it several times a day for a while, tagging Google.

Silence.

So you see, it can be, will be, and is that bad, and the powers that be – whoever they are – will tell you to sit down and shut up, if they even deign to respond.

Even being a supervillain isn’t enough to change that. Mute it, sure. In person. Even people who don’t know the supervillain thing can feel the threat in my body language.

But as soon as they feel like they can’t get hurt? Oh my, yes, the game is back on. The only thing keeping it at bay is the threat.

And if that doesn’t illuminate clearly enough for you what sexual harassment is really about – well, I can only assume you don’t want to know.
 


This post is part of a collection of articles on sexism and racism in geek culture.

batleth bagpipe

I keep trying to see this bat’leth bagpipe and not think “keytar: the next generation.” And it’s not, it’s a generalised midi controller, and acts more like a guitar than a keyboard.

But as much as they try to differentiate it from the keytaur, all I can think is KEYTAR KEYTAR KEYTAR.


Or, you know, bat’leth bagpipe

I still want to play with one tho’. If it’s actually any good, there should be entire bands made up of Klingons playing it in shows at conventions.

IF YOU DO THIS I WILL BOOK YOU FOR NWCMUSIC. I AM NOT KIDDING, I WILL DO IT.

bat’leth bat’leth bat’leth bat’leth bat’leth bat’leth bat’leth bat’leth KEYTAR KEYTAR

more of a raindot

It’s less a “rainbow” and more a “raindot” or maybe a “rainsmudge,” but it was pretty, in its own little -68db way.


Solstice in Seattle

And after the way the internet has been filled with assholes this past week (like eliminationist much? and goddammit Mike Krahulik makes it hard to be a Penny Arcade fan sometimes*) and, I thought, hey, we could all use a little of something not entirely horrible.

At least Kickstarter apologised for the horrible rape-manual project, which meant I didn’t have to decide about (and feel horrible about) either backing or not backing Abby’s webcomic. Because that webcomic looks awesome and I wanted to back it. And now I can. Yay!

I think I need something to kickstart my motivation. Or maybe it’s just that had-to-get-up-early-to-meet-the-plumber kind of 1am-the-next-day guh-just-kill-me-already feeling, because I can’t even get up the motivation to go to bed. How fucked up is that? I should invent a GO TO BED RAY or something. I can’t just repurpose the Fukkit Field, because that just makes you not do anything and you end up typing on the internet…

…oh.

Did I leave that on again? Damn.


*: Seriously. It’s like, I’ve been a fan since 1998. I have the original ill-fated Year One book. I look forward to PAX months in advance. I get to play all the games, and as videogaming events go, it’s one of the less hostile and sexist. But despite that, you get horribleness like this. So I’m torn, right? I’m torn between, “Fuck you, you can’t force me out of here” and “Fucking hell, how the hell can I support these assholes?”

podcast podcast

A reminder that the June 2013 Geekmusic Podcast is up; go listen. We’re also taking material for July. Deadline is July 1st for news and events which will happen late July and August. I’d prefer to need less lead time, but with all the shows coming up (Clallam May, Greenwood, etc) and work on the Bone Walker soundtrack happening, I need more space! Time! Spacetime! One of those.

(Inspector? Why I hardly…)

Also, for some reason last night I dreamt I was staying in a hotel room with Leannan Sidhe and Alexander James Adams, and Alec started playing Gershwin on piano, and wanted it in the act.

First, what act? Second, that wasn’t even Gershwin, except in my headspace at the time. Third, who has giant upright pianos in hotel rooms, anyway?

Honestly, brain, what.

two followup items

John Scalzi announced the results of the Carl Brandon Society pledge matching effort, launched by him in response to the huge collection of SFWA fails as of late, particularly those of white supremacist Thomas Beale. There’s still opportunity to be involved, should you be so moved.

Also, in a guest post over at Here Be Magic, Angela Highland calls on fathers to cut some of the bullshit and lead by example here.

She’s talking specifically about the kind of dumps SF readers take on romance-genre readers, but there’s a more general point to be made about ingrained and enduring sexism issues in SF, gaming, film, software, and, hell, life in general. Even that part of “men’s rights” activism that isn’t flat out about hating women comes straight out of sexism.

It all falls out of the the persistent devaluation of anything women do. Women are fond of Skyrim? Suddenly Skyrim is “a casual game” (see above), and, “casual games” (like, oh, Pac-Man) aren’t “real games,” all because girl cooties. Software development was a low-paid clerical job; all the early programmers were women. Then men moved in, it became valuable and highly-paid, and women aren’t “real” developers and don’t “really” know tech*.

And while that’s ingrained into women pretty well too – millennia of this sort of thing will do that – it’s made worse by and defended most fiercely by men. A lot of the recent upswing in both degree and fury is caused by reaction against progress, but progress is not guaranteed.

So, yeah. Frankly, a lot of fathers have a lot of stepping up to do. Not just in genre; in general.

 


*: From real-life stories: A few of of us were sitting around at Norwescon, talking about music software. I’m asked whether someone could run some piece of software – I think Ardour – on their Windows machine, and I said no, and started talking about cross-platform binary executable (compiled programme) compatibility issues, saying it’s difficult tho’ occasionally doable, and this guy sitting over from us leans over and tells me that I’m wrong, binaries aren’t platform-specific, they work on any machine.

I go “what?” and say, “No, we’re talking about platform binaries, not…” and he interrupts me again to tell me YOU ARE WRONG BINARIES ARE NOT PLATFORM SPECIFIC. He keeps doing this, interrupting me and using small words reserved for the stupid, until I stand up and yell at him, “I WAS A SOFTWARE DEVELOPER FOR THE MICROSOFT CORPORATION FOR MOST OF A DECADE. I HAD CODE IN THE WINDOWS BOX. YOU HAVE OWNED AND QUITE LIKELY RUN MY CODE.”

At which point he kind of stammers and says that he thought we were talking about data files, which, of course, we weren’t, at any point. And I’d told him that, or tried to, but because I was Some Women Who Doesn’t Get Tech, he didn’t bother hearing it.

 


This is part of a series of posts on sexism and racism in geek culture.

somewhat past time

So once again, SFWA has an explosion on its hands – in this case, Theodore Beale/Vox Day has used SFWA’s writer-promotion Twitter account to promote a virulently racist attack on N.K. Jemisin, a writer of colour, who is also a SFWA member.

There are two points which need to be made here. First, SFWA has been stained yet again by virulent sexism and racism. SFWA removed the tweet as soon as they saw it; but more importantly, they now need to remove Theodore Beale.

That’s because it is time to stop referring to Mr. Beale as a simple racist. Mr. Beale is, absolutely, a racist. He’s also overtly and virulently misogynistic – from his blogging, it’s clear that he really hates women, except as subservient breeding objects – and proudly homophobic.

But racist… racist does not go far enough.

Theodore Beale is a white supremacist.

It’s a loaded term, but correct, and should be used, because it carries real weight. In this one particular post, which Amal El-Mohtar has captured in screenshot form, Mr. Beale asserts Africans are not capable of building a civilisation. He asserts that stand-your-ground laws – which are applied in notoriously racist fashion – are necessary and good, to allow “whites [to] defend their lives and their property from people, like [Ms. Jemisin], who are half-savages engaged in attacking them.” Note that Ms. Jemisin merely wrote a column, but is invoked specifically; one may read into this what one wishes. He declares Ms. Jemisin to be an “educated, but ignorant, savage;” and that because of her race, she can be nothing but that. And he asserts that non-whites – and in particular, Ms. Jemisin – are “not equally homo sapiens sapiens.”

These are not merely the language and beliefs of the Ku Klux Klan. They are that of the national socialist. And not just of the national socialist, but of the would-be slavemaster. There is not room for a sliver of onion skin between the racialist beliefs, theories, and justifications of the slavemaster, and those of Mr. Beale. So it is time to use the proper terminology: white supremacist, with all that implies.

One who got 10% of the SFWA vote for organisation president. Which brings us back, of course, to SFWA.

How much further harm is SFWA willing to allow Mr. Beale to perpetrate? I think he’s created far more than enough, myself; I suspect he will be expelled, then declare himself a martyr. That last cannot be helped; I think at this point he desires it. But after this is over, SFWA needs to realise that this is not the end of it. SFWA cannot expel Mr. Beale and consider their work done, because SFWA have become a painful embarrassment to the entire speculative-fiction community.

People are starting to delight in SFWA’s failings. Once the internet delights in your failures, you are in real trouble.

All hands on deck, SFWA. The ship – it is aflame.
 
Angela Highland has suggestions on how to support Ms. Jemisin with your money, and John Scalzi and several other writers have started a matching-fund for donations to the Carl Brandon Society. You may wish to consider these responses, if you, like me, are not a member of SFWA.
 


This post is part of a series of posts on sexism and racism in geek culture.

water dragon

In Monday’s post about clearing out my old glass art studio, I mentioned a completed piece called Water Dragon. A reader on Dreamwidth asked for a photo. This is a phone photo, and the piece is very dusty in it; I’d clean it up, of course, before any sort of handoff:


Water Dragon

I want the unclaimed pieces out, so like I said, make an offer.

ALSO! The YouTube version of Episode 3/June 2013 Geekmusic Podcast is now online, for those of you who like your podcasts with captions. Soundcloud, too. Enjoy!

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