So the Hugo finalists are out for the 2016 Worldcon, and, again, the Rabid Puppies put up a slate, and, again, it’s the same as it ever was: one political party vs. no political parties: the party always wins.

The damage, if you’re curious, of Rabid Puppy slate vs. finalist positions:

2/5 Best Novel (40%)
4/5 Best Novella (80%)
4/5 Best Novelette (80%)
5/5 Short Story (100%)
5/5 Related Work (100%)
5/5 Graphic Story (100%)
1/1 Editor Short Form (100%, but four positions were left open)
3/5 Editor Long Form (60%)
2/5 Dramatic Long Form (but both actually very popular: The Martian and Avengers: Age of Ultron) (40%)
3/5 Dramatic Short Form (60%)
5/5 Professional Artist (100%)
4/5 Semiprozine (80%)
5/5 Fanzine (100%)
5/5 Fancast (100%)
4/5 Fan Writer (80%)
3/5 Fan Artist (60%)
4/5 Campbell Award for Best New Writer (Not a Hugo) (80%)

A lot of people were opposing E Pluribus Hugo on the basis that if you just had a lot higher turnout, the one party running as a political slate would be swamped.

We got that huge turnout. We got the biggest turnout in the history of the Hugo awards. From memory, it was roughly twice the size of last year’s record – and Puppy-fuelled – turnout.

And it had fuck and all impact on the party vs. no-party problem. And it never will. And that’s how we have Chuck Tingle’s “Space Raptor Butt Invasion” with a Hugo nomination.


No, really, it is, thanks to the Rabid Puppy slate voters.

e pluribus hugo must pass second reading at the 2016 Business Meeting. I hope people get that now.

Now, as expected, this year, we saw some sabotage nominations, as well as some genuinely-popular nominations in Long Form. The goal, clearly, was to trigger a repeat of last year’s response: NO AWARD all Puppy nominees, with a revised goal of blocking all Hugo Awards from being given. They said that outright last year: if they can’t win, they will destroy all the awards forever.

So for this year, I am proposing a different strategy:

NO AWARD above anyone connected to running this slate. Anyone who supported it, anyone who promoted it, anyone who worked on it: NO AWARD over them. NO AWARD above Vox Day, NO AWARD above Castalia House (and all its works), NO AWARD above all of it.

Everyone else, vote for the best. Last year was a highly effective action showing rejection of all slates. But this year, the targets must be the specific perpetrators directly. It must be the people who are doing this, because while half of their interest is destruction, another half is self-promotion and boosting the visibility of their own works.

And until slates can be stopped via electoral changes, until e pluribus hugo can pass second reading at this year’s Business Meeting, this must be opposed. Because a vulnerability, once exposed, will be exploited. This will not stop, until it is stopped.

Particularly since Vox gets to spend all of daddy’s money on whatever little ragefest his neofascist heart desires.

e pluribus hugo is now the minimum requirement to save the Hugo awards, in anything like their current form. We knew this would take two years to fix, and this is year two; e pluribus hugo must pass second reading in Kansas City. Fandom, if you care at all about the Hugo Awards, do not fail.

eta: Well, this isn’t good. (File 770 is down, hard, with an owner-please-contact-administrator notice.) Anybody know what’s up? Here’s an archive.

eta2: Mike Glyer says on Facebook that it’s not a DDOS, and that his ISP is working on it; they’re migrating to a new server.

eta3: And there’s our first withdrawal: Tom Mays has pulled “The Commuter” from consideration.


This is a part of a series of posts on the 2015/2016 Hugo Awards capture by a rightist political group whose focus has now shifted to destroying the awards.