where do you even start
- April 10th, 2012
- Posted in shows
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nwcMUSIC just wrapped up its second year. It’s the third year I’ve been running music at Norwescon, having taken over the “filk track” in 2010 at the last minute after the original volunteer had to withdraw from running it, but that was kind of a “year zero,” as far as I was concerned. 2011 was Year One, the start of nwcMUSIC, my attempt to build a pan-geekmusic festival at Norwescon.
We have evolved. And we have a plan.
Plan Does Not Include Mosh Pit
Where do I even start? This was a breakthrough year; what we’re trying to do really started to sink in. Daytime programming turnout – a huge concern, being mostly up in Salon, at the top of the tower – slammed the rooms. Crossover programming on topics like promotion and economics drew much better than last year. The home recording panel drew well for Sunday morning. Cascadia’s Got Talent! drew more audience than last year, though it took a while for them to make their way in, and we’re still having trouble getting entrants.
Everyone is Way Too Happy about the
Science Olympics Trophy for Entertainment
But it was the experimental panels – Introduction to the Irish Session, Introduction to Participatory Geekmusic, and most of all Find Your Instrument – that really outdid expectations. All three leaked into the doors. Introduction to the Irish Session turned into a genuinely hot session, with the musicians expressly sad it only ran an hour. And Find Your Instrument – the most experimental of all – overflowed into and took over the hallway. It was a mob scene.
Alec really liked the Session
Everybody gave good shows. I mean, of course I’m going to say that, but seriously, everybody gave good shows. We had our first dance pit, improvised on Friday night. I knew The Doubleclicks would be a hit, but I did not realise exactly how big a hit. I knew Kirby Krackle would rock, but I did not realise exactly how much they would rock. Rai Kamishiro made a big impression, particularly given her Thursday-sized audience.
Oh Yeah
Srs Bsns Rock
Like some Goddamn Bosses
Electric Children had to cancel at the last minute due to illness (along with at least 17 other attending pros – something nasty is going around), but I was able to get Klopfenpop, who had planned to guest with Ultraklystron, to take over the show – and even updated the posters on site.
Klopfenklystron
I could go on, but I’ll just say there was not one person in our lineup I wouldn’t ask back. Seriously, the last three months, I’ve been looking at that concert slate and thinking, How did we do this? How can we have a concert slate this awesome? And yet!
Which isn’t to say everything was perfect. The convention knows we’re here now, but they don’t always know what we’re doing, exactly. I had to explain to one fan who believed we had some mainstream “rap band” appearing before Vixy & Tony that Ultraklystron was in fact currently laying down about hobbits, and had earlier wrapped up songs about Green Lantern and different ways robots take over the world. I wouldn’t book anybody not geeky, and that seems obvious to me, but it is clearly not entirely obvious that geekmusic could mean anything other than folk-derived filk. And this was not the only fan similarly confused, so, if you’re reading this, don’t feel picked on, it wasn’t just you.
We have identified some process improvements we should make, as well, and some tech changes from next year, most notably related to power – Norwescon TeamTech and Hotels managed to save us on Friday when we needed more power draw than anticipated, and thanks so much to you guys! But we shouldn’t’ve needed to ask. Process can solve this.
The Trouble Clef Jam needs work. We need to figure out how to make it more attractive, so it’s worth coming back after you’ve loaded out your car and checked out of your hotel room. I’d like to turn it into our Smoked Salmon; maybe someday.
Overnight Open Filk seemed to be staging a comeback, but we need even more signage and a little better hotel communication. The Session needed to be longer (by popular demand!), and hopefully, we’ll be more able to help beginners keep up better next year.
And, as always, Norwescon wants to hear what you have to say about all of this.
Oh, what else. Impressions.
Norwescon Opening Ceremonies got run as a Late Nite/Tonight Show chat show, and they dragged me in last-minute to play the Paul Schaffer analogue, playing people on and off. So I did that, and for bonus points improvised a theme, tossing together mix of a couple of instrumentals I already had – most notably “Roughrider” and “Engine Engine Let’s Go.” That was sixteen tonnes of fun.
At Cascadia’s Got Talent, the eventual winner Julie Hoverson – pictured with trophy above – singing Dschinghis Khan in the original German, My Beautiful Assistant Anna yelling out just before the last chorus, “EVERYBODY!” – and everybody actually joining in.
Actually getting to gong some Guy at the Talent show. Also, the entire front row flinching exactly like I’d hoped for this prize:
NTSC Video So Crisp You Can Almost Feel
Gil Gerard’s Disco-Ready Chest Hair
Podorythmie at the Irish Session as a Quebecois partisan brought the footwork. XD
All those signs I kept posting about are good starts, particularly the WORKSHOPS banner and the banner-holders. The OPEN FILK vinyl sign turned out mostly great, except I’d lightened the background anticipating it coming out darker than visually presented (as happens so much of the time) and… they printed exactly what I handed them. So the background was too pale. GODDAMMIT AND YAY. XD
Aimed for this, got… mostly there. I swear to god Adobe must own stock in cyan ink makers. It’s the only explanation.
As always, nwcMUSIC FilkTech – John Seghers, Jen Kilmer, and Ryan Nutick – provided some of the best sound management you’re going to see. Kyle of Kirby Krackle mentioned on stage that he’d never heard himself in monitors so clearly before, in any venue, and his bassist nodded and said he never would again. That’s how good they are.
I’d also asked Mimi Noyes – best known to Seattle fandom as the “Monster Mash” woman – to mash up a mascot, called The Screech, for us, and he went over really well.
SCREECH ON MY HEAD! SCREECH ON MY HEAD!
I didn’t get a proper break until almost 1am Sunday (ish), and honestly didn’t care, because running this thing was awesome.
Yes, This Is The Rock-And-Roll Lifestyle, Promoter Version
But I took advantage of this time off, with Vodka Of The Righteous, Kamikazes of the Just, and lots of time misspent with the Merchants of Deva and possibly also a particular bank.
Plans and tweets were made while drunk. Dismayingly, I stand by both.
Podorythmie at the Irish Session as a Quebecois partisan brought the footwork. XD
By which of course she means ME, folks. Podorythmie Ryan’s Fancy, HELL YEAH!
*STOMP STOMP* *stomp and a stomp and a STOMP STOMP*
The Irish Session was indeed awesome. My kudos to the organizer! And to the podorhythmist!
I actually started cons in the filk rooms in Michigan. My first NWC (about 4 years ago?) I excitedly wandered into the evening filk sessions and was… bored. I was bummed. Last year I went to one performance (Death*Star. Yes please, give us moar nerdy hip hop), and this year I went to Alexander James Adams performance (both of which were excellent) but this post makes me all excited to check out more music related stuff next year. Your excitement bleeds through.
I’m really glad to hear that so many people enjoyed the Norwescon music track. I so wanted to attend the Irish Session, but ended up having to be elsewhere – but I hope to check it out next year! I’ll admit that I’m not into the geek-pop or rap and am a little sad to find less and less music I enjoy at Norwes, but there are many other aspects of the convention in which I can participate. I understand that the goal is more to reach out to new audiences, and I hope that is successful. Regardless of my personal interest in the new direction, I appreciate all the tremendous effort put forth to organize this track and sincerely thank everyone involved!
@Ellen Eades Thank you! ^_^
@Heather Ely and @Kat – thanks for your comments on all this, I appreciate them very much!
Heather – I think you’d’ve liked both Ultraklystron and Klopfenpop this year, and most likely also Rai Kamishiro, all of whom I’d like to have back. I hope you’ll check out more stuff next year, and maybe go look over their online recordings today!
Kat – I’m genuinely trying to build by adding, not subtracting. Is there something in particular going missing for you?
Looking back at pocked programmes from before I was involved, we do have a lot fewer singalongs. I totally understand if that’s what you mean. I float them to our APs every year – and will continue to do so – but getting people to run them is difficult at best. I had zero nibbles this year.
But more generally, I really do not want filk and filkers to feel like they’re being pushed out. I’m trying to include all the geekmusics, not push filk away; audience matters, I’d be lying if I said it didn’t, but mostly I’m trying to bring in all these people who are doing these geeky musical things.
And filk is an integral part of this larger conversation. It has a place of honour, and I’m spending a lot of time and energy into reviving things like Overnight Open Filk, wedging in a daytime circle (Friday – did you go?), and, (for 2013) I’m working to revive the Sunday farewell jam. It’s also why Friday is named Friday Filkfest, and is overwhelmingly if not entirely filk.
(It would’ve been completely filk this year if Kirby Krackle hadn’t needed to swap days – they were originally scheduled for Saturday, with the extremely-filk-friendly The Doubleclicks in that 9pm Friday slot. If you didn’t get to The Doubleclicks show, you might want to give them an online listen. They were a huge hit with the Vixy & Tony audience.)
So, if there’s a particular thing gone missing, let me know. I really do not want filkers thinking they need to step out of the way at nwcMUSIC and Norwescon. I’m trying to improve your experiences, too. Let me know how I can.
I honestly think that you’ve done a great job adding all sorts of new groups and concepts to the music track. I also like how you’ve incorporated music-related panels into the main con itself instead of only having concerts and circles at night. It’s just an unfortunate necessity of having only a given amount of time and space that as things are added, there will be less of what was there before. My first love will probably always be the more classic filk stuff (though I did love Kraken Rohl!), and I could spend a whole weekend listening just to it. But, alas, the world just doesn’t revolve around me, and I can see how you work very hard to get a balance between all the different types of music.
I did very much enjoy the Friday filk concerts, and the open circle that night was fantastic. You’re right that I would love if there could be a sing-a-long or two, but I understand that you can’t force them into existence through sheer force of will.
Would it be possible, though, to have other kinds of music-related participation panels? Some of my favorite hours at Norwes (aside from filking) are the game panels such as various Jeopardy reincarnations, Match Game, Pictionary, or this year’s Who Would Win. I’m not sure if any of these would be feasible, but I think a filk-related game could be a lot of fun.
I really appreciate all the work and thought you’ve put into this. I know I could never manage what you have. I also appreciate how open you are to my concerns – thanks for listening!
@Kat: I am totally open to more kinds of participation panels, and I’ve specifically thought about game-show type formats. I’ve been hoping that if and when we can get more of the filk crowd back to and invested in Norwescon that we could do a Name That Tune pastiche called Name That Filk. But we have to get a big enough knowledgable group.
Maybe we could test-run this at a Conflikt sometime. That’d be fun. “Welcome to Name That Filk, brought to you by nwcMUSIC and DRISTAN Nasal Mist!” 😀
OHHHHHH guh that sounds like it was awesome!!!!! Can’t miss Norwescon next year.
@Allegra: YES. We did Sad Muppet on… Friday night, I believe. Sunnie was there with somebody she taught the chorus to in like ten seconds. XD