{"id":9667,"date":"2016-09-08T08:30:56","date_gmt":"2016-09-08T15:30:56","guid":{"rendered":"http:\/\/crimeandtheforcesofevil.com\/blog\/?p=9667"},"modified":"2016-09-08T00:55:07","modified_gmt":"2016-09-08T07:55:07","slug":"edge-cases-of-the-apple-ios-ecosystem-musicians","status":"publish","type":"post","link":"https:\/\/crimeandtheforcesofevil.com\/blog\/2016\/09\/08\/edge-cases-of-the-apple-ios-ecosystem-musicians\/","title":{"rendered":"edge cases of the apple ios ecosystem: musicians"},"content":{"rendered":"<p>So the new iPhone is out, and as predicted, it does away with the standard, unencumbered, unrestricted-by-patent 3.5mm audio connector. You can read about the release <a href=\"https:\/\/www.buzzfeed.com\/johnpaczkowski\/inside-iphone-7-why-apple-killed-the-headphone-jack?utm_term=.epJjE7wKw#.gswR7Ox1x\">on BuzzFeed&#8217;s pretty decent writeup<\/a> if you like. And this matters, even if you have an older phone, or an Android phone, because Apple is the kind of 10,000-pound-gorilla that can shape markets in this area. Even if you&#8217;re not an Apple user, this throws expectations around for the future.<\/p>\n<p>There is an adaptor &#8211; really, a mini-interface-card disguised as a cable adaptor &#8211; to let you use 3.5mm devices with the lightning port. It has to contain a D\/A converter and a small amplifier. One will be included with the new phones, and it costs $9 and doesn&#8217;t make your cable weird &#8211; it&#8217;s not some big block like the previous 30-pin to Lighting interface, and it&#8217;s not $30.<\/p>\n<p><center><img decoding=\"async\" src=\"http:\/\/solarbird.net\/Livejournal\/2016-09\/history-repeats.jpg\"><\/center><\/p>\n<p>I have <em>concerns<\/eM> about how good a job a $9-retail D\/A converter and amp unit is doing to do at rendering quality audio. It will be very tempting to make it deliver &#8220;meh&#8221; quality output, and push people to new gear. That&#8217;s short-sighted, but let&#8217;s not pretend <Em>that<\/eM> stops anyone.<\/p>\n<p>Countering that concern is the fact that at least at one point, Apple required a specific D\/A converter for the Lightning audio standard: <a href=\"https:\/\/web.archive.org\/web\/20140606214949\/http:\/\/www.wolfsonmicro.com\/products\/dacs\/WM8533\/\">this one<\/a>. I have no idea whether that&#8217;s still a requirement. But if it is, I&#8217;m willing to assume a baseline of competence for it &#8211; anything else would&#8217;ve been suicidal for the spec right out the gate.<\/p>\n<p>I&#8217;ve heard a lot of people talking about whether the new interface is built for digital rights management (DRM) as the long goal. I genuinely don&#8217;t think so, because it doesn&#8217;t really add much capability they don&#8217;t already have. <Em>Sooner or later, you have to go to analogue<\/eM>, and unless they want to remove the capability to connect to <em>high-end<\/eM> audio equipment &#8211; and Bluetooth <em>does not cut it<\/em> for audiophiles, or necessarily even mid-philes &#8211; there has to be a way to hook up to standard, not-Apple gear.<\/p>\n<p>You can&#8217;t get around that. Lest people forget, <a href=\"http:\/\/www.apple.com\/shop\/product\/MNN62AM\/A\/iphone-lightning-dock-black?fnode=97\">an Apple-provided solution for this already exists<\/a> in the form of the dock &#8211; shown on the iPhone 7 front page, too. It&#8217;s not going away. And the reason it won&#8217;t go away is that while audiophiles are not a big market, they are exactly the kind of <em>lifestyle<\/em> market Apple wants and needs in order to support its brand, and more importantly, its <Em>markup<\/eM>. That&#8217;s not tech; that&#8217;s image management. Even without Steve, Apple knows its image.<\/p>\n<p>Similarly, they can&#8217;t cut off concert musicians and DJs from plain old analogue output. There are too many audio pros out there using phones now, and while that market isn&#8217;t actually large, it&#8217;s a market Apple still invokes in image, and it&#8217;s <Em>too perceived as cool<\/em> for Apple to throw overboard without throwing another serious wrench into its branding.<\/p>\n<p>And frankly, with the recording industry betting what&#8217;s left of the farm on streaming, they don&#8217;t really don&#8217;t seem to care much about DRM on plain audio anymore. <a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/06\/part-two-the-damage-is-worse-than-i-thought\/\">The RIAA destroyed the value of <em>owning<\/em> music<\/a>, so from their point of view, who cares? Music is the billboard, not the product. I just really can&#8217;t see this as &#8220;HDMI for audio.&#8221;<\/p>\n<p>So from a consumer standpoint, mostly I see &#8220;Apple has made your headphone cable annoying.&#8221; Even that&#8217;s assuming you&#8217;ve got your own headset and aren&#8217;t using the one Apple included, <eM>which most people do and will continue to do<\/eM>.<\/p>\n<p>Now, this does get more complicated for musicians and DJs. Even if the included little cable adaptor is good &#8211; and let&#8217;s say it is straight up great &#8211; then you can&#8217;t trivially run the new devices on power <em>and<\/em> interface directly to performance gear anymore. That&#8217;s a headache. &#8220;Oh shit, I forgot to charge my phone&#8221; becomes a <em>critical failure<\/em>. Best case is you get a new device for that &#8211; and the dock is not suitable, you need something you can&#8217;t knock over or drop &#8211; which means one more damn thing to buy and carry around and\/or lose.<\/p>\n<p>Let&#8217;s also say you&#8217;re using some sort of audio software on the phone, and it doesn&#8217;t have a way to save files that you can transfer to other devices. (Even the software I have which does this doesn&#8217;t do it easily or well, it&#8217;s kind of a pain in the ass and I don&#8217;t do it. I use the headphone jack.) And a lot of software &#8211; like 8-bit emulator sequencers, and like Animoog, which I have actually used on multiple released tracks &#8211; just doesn&#8217;t do it. So <eM>that<\/em> just got more annoying on newer hardware <Em>too<\/em>. Another dock or another cable or another <EM>whatever<\/em>. It&#8217;s one more step.<\/p>\n<p>But, interestingly, not on the iPad. So far, I&#8217;ve heard no rumours that the i<b>Pad<\/b> will drop the 3.5mm connector. And the i<b>Pad<\/b> &#8211; particularly the iPad Pro &#8211; has very un-phonelike things like a keyboard case and special connector, and art stylus\/pencil, and so on.<\/p>\n<p>So what I&#8217;m thinking &#8211;  particularly with the Pro &#8211; is that Apple is seeing a differentiation opportunity between &#8220;phone&#8221; and &#8220;pad,&#8221; and that they&#8217;re pushing &#8220;iPhone&#8221; to &#8220;purely consumption device,&#8221; paralleling their attempt to push &#8220;iPad&#8221; towards &#8220;creation device.&#8221; That&#8217;s <em>not the actual usage out there<\/em> &#8211; lots of people use the iPhone to make things &#8211; but it&#8217;s coherent market segmentation, and marketroids <Em>love<\/em> their market segmentation.<\/p>\n<p>Also, the iPad isn&#8217;t nearly as space-constrained as the iPhone. It&#8217;s just not comparable. On the i<b>Phone<\/b>, replacing that jack space with bigger battery and camera means vastly improved camera and about an hour extra battery life. On the i<b>Pad<\/b>, it&#8217;s not a big enough percentage of space to care.<\/p>\n<p>If the next generation of iPad <Em>keeps<\/em> the 3.5mm analogue headphone jack &#8211; while adding support for the new Apple wireless headphone specs, of course &#8211; I&#8217;ll take that to be pretty solid supporting evidence. We&#8217;ll see.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So the new iPhone is out, and as predicted, it does away with the standard, unencumbered, unrestricted-by-patent 3.5mm audio connector. You can read about the release on BuzzFeed&#8217;s pretty decent writeup if you like. And this matters, even if you have an older phone, or an Android phone, because Apple is the kind of 10,000-pound-gorilla [&#038;hellip<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,11,1],"tags":[],"class_list":["post-9667","post","type-post","status-publish","format-standard","hentry","category-recording","category-recording-gear","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/9667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/comments?post=9667"}],"version-history":[{"count":15,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/9667\/revisions"}],"predecessor-version":[{"id":9683,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/9667\/revisions\/9683"}],"wp:attachment":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/media?parent=9667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/categories?post=9667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/tags?post=9667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}