{"id":6680,"date":"2015-01-01T08:30:21","date_gmt":"2015-01-01T16:30:21","guid":{"rendered":"http:\/\/crimeandtheforcesofevil.com\/blog\/?p=6680"},"modified":"2015-01-01T08:30:21","modified_gmt":"2015-01-01T16:30:21","slug":"happy-new-year-2015","status":"publish","type":"post","link":"https:\/\/crimeandtheforcesofevil.com\/blog\/2015\/01\/01\/happy-new-year-2015\/","title":{"rendered":"Happy New Year 2015!"},"content":{"rendered":"<p>Well, it&#8217;s 2015, and I&#8217;m writing this as the fireworks are still going off around me and downtown; I didn&#8217;t go, I&#8217;ve been too busy working on all the tune parts for the live <i>Bone Walker<\/i> release party\/concert at Conflikt at the end of the month.<\/p>\n<p>It&#8217;s hard work, too. I have a little secret that isn&#8217;t very secret: I am not a natural tunes player, and, this being the trad album, there&#8217;re a lot of tunes in it. They were by far the most difficult part of the album, and they&#8217;ll be the most difficult thing to perform live, and even though I&#8217;ll be kind of miked down a bit on mandolin, I still need to get it right.<\/p>\n<p>Seriously, though; rhythm parts: 10 minutes to learn. Melody on flute: maybe 20. Sung parts: 10-15 minutes, and I&#8217;ll make new parts. Tunes: <em>weeks<\/em>. No idea why. It&#8217;s <em>such<\/em> an outlier that Anna has incorporated it into the <i>Free Court<\/i> universe, in the background, as part of the way magic works; traditional Irish tunes and the Sidhe magics don&#8217;t get along, and that&#8217;s on purpose.<\/p>\n<p>But I&#8217;ll manage, I always do.<\/p>\n<p>Perhaps coincidentally, the Space Needle is currently fireworking Newfoundland colours. I&#8217;m not even making that up. Newfoundland Liberation Army, represent.<\/p>\n<p>I&#8217;ve seen people say that 2014 flew by; not for me. For me it felt kind of endless; 2013 seems so long ago. 2014 certainly had some personal lows; two more rounds of eye surgery, including &#8211; hopefully &#8211; the last one; way too much hanging out at home (recovering) and studio (recording). But it had highs, too &#8211; the most successful nwcMUSIC to date, actually <em>finishing<\/em> the <i>Bone Walker<\/i> project (<a href=\"http:\/\/music.crimeandtheforcesofevil.com\">preorder OK!<\/a>) and y&#8217;know what, I&#8217;m going to say it again:<\/p>\n<p><i>Korrasami is canon and nothing hurts.<\/i><\/p>\n<p>No, seriously, see&#8230; here&#8217;s yet another level of it. There\u2019s this longstanding trope of having queer couples who end up dead, or in tragedy. I mean, sure, mostly we don&#8217;t exist, but if we do: tragedy or death. Not cake or death; <em>tragedy<\/eM> or death. We get one or the other, and sometimes both. Mercedes Lackey did it, for example; big three-book queer love story; one ends up dead, and gets reincarnated (without memories), so he can fall back in love with the survivor&#8230; <em>who then dies<\/em>. Tragedy and death <em>twice in one trilogy!<\/em> It&#8217;s amazing.<\/p>\n<p>Similarly, as much as I love <i>Revolutionary Girl Utena<\/i>, it did it too, more or less. Maybe Utena still exists; maybe Anthy will find Utena; we don\u2019t know. (In the manga, she doesn\u2019t, but the anime is different in many ways.) At the time, I was really angry about it, because it hit that same trope after teasing us with better; even though she\u2019s not dead (or so it\u2019s implied), they\u2019re still ending apart, as stories say you <eM>must<\/eM>, if you\u2019re queer.<\/p>\n<p>Elfquest, too. Dart&#8217;s boyfriend Shushen? Introduced and dead in two issues. Boom.<\/p>\n<p>Basically, as a rule, queers don\u2019t get to go off into the sunset together, in fiction. That\u2019s historically not for us. For us: tragedy and\/or separation, often through death.<\/p>\n<p><em>Until now.<\/em><\/p>\n<p>I can&#8217;t overstate how much that changes the world. It may not seem like much to people who are used to having it. But in a desert, even a teacup\u2019s worth becomes an ocean of water. And for that, I can forgive a lot about 2014.<\/p>\n<p>We face 2015 with a whole new world. Gear up, everybody &#8211; let&#8217;s see what it brings.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Well, it&#8217;s 2015, and I&#8217;m writing this as the fireworks are still going off around me and downtown; I didn&#8217;t go, I&#8217;ve been too busy working on all the tune parts for the live Bone Walker release party\/concert at Conflikt at the end of the month. It&#8217;s hard work, too. I have a little secret [&#038;hellip<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-6680","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/6680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/comments?post=6680"}],"version-history":[{"count":0,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/6680\/revisions"}],"wp:attachment":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/media?parent=6680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/categories?post=6680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/tags?post=6680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}