{"id":4895,"date":"2013-09-20T06:00:49","date_gmt":"2013-09-20T13:00:49","guid":{"rendered":"http:\/\/crimeandtheforcesofevil.com\/blog\/?p=4895"},"modified":"2013-09-20T06:00:49","modified_gmt":"2013-09-20T13:00:49","slug":"waveform-rectifiers-are-weird","status":"publish","type":"post","link":"https:\/\/crimeandtheforcesofevil.com\/blog\/2013\/09\/20\/waveform-rectifiers-are-weird\/","title":{"rendered":"waveform rectifiers are weird"},"content":{"rendered":"<p>Playing with a waveform rectifier. It&#8217;s external hardware, so to bounce stuff through it, I have to route out through analogue and back in, old-school. That&#8217;s fine, but kind of slow.<\/p>\n<p>The odd part is, to me, the difference is substantial &#8211; at least, when the drums are thrown at it, not so much with the zouk and vox &#8211; but Anna doesn&#8217;t hear much of a difference. I wonder which is more typical?<\/p>\n<p>Trying to throw an entire drum mix through it and using that in place of the separates Does Not Work, though. If I want to use this even as an incremental change tool, I should use it live (as recommended by maker, actually) or bounce per-instrument. That&#8217;s also suggested as reasonable in the manual.<\/p>\n<p>Either way, it&#8217;s not showing up that hugely in the mix, even to me, and a lot of what this is doing is reminding me how much better the headphone amp in my workstation is than the headphone amp in my Macbook. By which I mean <em>damn<\/em>.<\/p>\n<p>But at least I get to say &#8220;I have a <em>waveform rectifier<\/em>.&#8221; That&#8217;s <em>cool<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Playing with a waveform rectifier. It&#8217;s external hardware, so to bounce stuff through it, I have to route out through analogue and back in, old-school. That&#8217;s fine, but kind of slow. The odd part is, to me, the difference is substantial &#8211; at least, when the drums are thrown at it, not so much with [&#038;hellip<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,14],"tags":[],"class_list":["post-4895","post","type-post","status-publish","format-standard","hentry","category-recording-gear","category-studio"],"_links":{"self":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/4895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/comments?post=4895"}],"version-history":[{"count":0,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/4895\/revisions"}],"wp:attachment":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/media?parent=4895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/categories?post=4895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/tags?post=4895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}