{"id":4295,"date":"2013-07-03T09:12:40","date_gmt":"2013-07-03T16:12:40","guid":{"rendered":"http:\/\/crimeandtheforcesofevil.com\/blog\/?p=4295"},"modified":"2013-07-03T09:12:40","modified_gmt":"2013-07-03T16:12:40","slug":"fiddler-at-work","status":"publish","type":"post","link":"https:\/\/crimeandtheforcesofevil.com\/blog\/2013\/07\/03\/fiddler-at-work\/","title":{"rendered":"fiddler at work"},"content":{"rendered":"<p>The talented <a target=\"_blank\" href=\"http:\/\/sunnie.org\">Sunnie Larsen<\/a>, as seen from the engineer&#8217;s desk, recording tracks for the <i>Bone Walker<\/i> soundtrack album.<\/p>\n<p><center><img decoding=\"async\" src=\"http:\/\/solarbird.net\/Livejournal\/2013-07\/studio-shot-sunnie.jpg\"><br \/><i>The sound is clearer than the photo<\/i><\/center><\/p>\n<p>If anyone&#8217;s curious, the two microphones involved are an Octava 012 (underneath, for lows) and an AKG Perception 200 (overhead), which seems to like Sunnie&#8217;s violin.<\/p>\n<p>More SFWAdenfreude: word is that <a target=\"_blank\" href=\"http:\/\/specfriction.tumblr.com\/\">SpecFriction<\/a>, the site leaking all the SFF.net SFWA commentary, is getting DMCA takedown notices. Grab screencaps while you can. Also, you may be interested in <a target=\"_blank\" href=\"http:\/\/www.slhuang.com\/blog\/2013\/07\/02\/a-timeline-of-the-2013-sfwa-controversies\/\">S. L. Huang&#8217;s comprehensive timeline of the SFWA clusterfuck<\/a>. Finally, Anna links to <a target=\"_blank\" href=\"http:\/\/www.angelahighland.com\/2013\/07\/03\/a-few-things-make-a-post\/\">some juicy sexist criticising-me-is-violating-my-free-speech whinging in her latest post<\/a>.<\/p>\n<p>I love fireworks season, don&#8217;t you?<br \/>\n&nbsp;<\/p>\n<hr \/>\n<p><b>eta: <a href=\"http:\/\/www.maryrobinettekowal.com\/journal\/dear-twelve-rabid-weasels-of-sfwa-please-shut-the-fuck-up\/\">Mary Robinette Kowal just lets some people absolutely have it<\/a>. <em>Tasty<\/em>.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The talented Sunnie Larsen, as seen from the engineer&#8217;s desk, recording tracks for the Bone Walker soundtrack album. The sound is clearer than the photo If anyone&#8217;s curious, the two microphones involved are an Octava 012 (underneath, for lows) and an AKG Perception 200 (overhead), which seems to like Sunnie&#8217;s violin. More SFWAdenfreude: word is [&#038;hellip<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[],"class_list":["post-4295","post","type-post","status-publish","format-standard","hentry","category-album-notes","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/4295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/comments?post=4295"}],"version-history":[{"count":0,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/4295\/revisions"}],"wp:attachment":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/media?parent=4295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/categories?post=4295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/tags?post=4295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}