{"id":4143,"date":"2013-06-15T16:48:12","date_gmt":"2013-06-15T23:48:12","guid":{"rendered":"http:\/\/crimeandtheforcesofevil.com\/blog\/?p=4143"},"modified":"2016-05-05T10:30:30","modified_gmt":"2016-05-05T17:30:30","slug":"collection-music-in-the-post-scarcity-environment","status":"publish","type":"post","link":"https:\/\/crimeandtheforcesofevil.com\/blog\/2013\/06\/15\/collection-music-in-the-post-scarcity-environment\/","title":{"rendered":"Collection: Music in the Post-Scarcity Environment"},"content":{"rendered":"<p>Starting in the autumn of 2012, I started a series of articles on doing music &#8211; and, really, anything creative &#8211; in the post-scarcity environment which digital reproduction has created. It got launched by my reaction to an NPR commentary by an intern who noted she&#8217;d bought almost no music in her entire life, and went on to explore how one might build a new-model career in an environment where there is no actual constraint on supply.<\/p>\n<p>These were popular enough that other people made link collections to them, so I made my own. I add to it as I write new instalments. Enjoy:<\/p>\n<ul>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/06\/so-the-problem-with-all-of-this\/\">Part 1: Emily White and Making Money in the Post-Scarcity Environment<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/06\/part-two-the-damage-is-worse-than-i-thought\/\">Part 2: It&#8217;s Worse Than I Thought: How the Recording Industry Made Music Ownership a <em>Negative<\/em> Value<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/07\/just-pressing-play-makes-my-fingers-ache\/\">Part 3: Even Pressing Play Makes My Fingers Ache: Making Recording Profitable Again<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/07\/post-scarcity-model-part-four-touring\/\">Part 4: Touring (Part 1)<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/07\/the-post-scarcity-model-part-five-touring-part-two\/\">Part 5: Touring (Part 2)<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/07\/music-in-the-post-scarcity-environment-part-six\/\">Part 6: The Long Tail of Zero is Still Zero (The Thousand Fan model)<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/10\/the-same-model-as-music-post-scarcity-part-seven\/\">Part 7: The Same Model as Music (Manufacturing in a Post-Scarcity Environment)<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2013\/06\/post-scarcity-part-8-prestigious-internships\/\">Part 8: The Prestigious Internship (a Fraud in Three Parts)<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2014\/06\/music-in-the-post-scarcity-environment-part-9-google-makes-a-move\/\">Part 9: Google Makes its Move<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2015\/01\/googleyoutube-and-the-old-labels\/\">Part 10: Google, YouTube, and the Old Labels<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2015\/05\/post-scarcity-part-11-vinyl-revenue-reaches-20-of-cds\/#comment-198008\">Part 11: Vinyl Revenue Reaches 20% of CDs<\/a>. Did the RIAA fail to destroy something?<\/ul>\n<p>And while these are not directly a part of that series, they are strongly related:<\/p>\n<ul>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/?p=9181\">No, Apple is not stealing your music<\/a>, and, relatedly, why the Queen of Edge Case Scenarios here will never use Apple Music\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2012\/09\/facebook-destroys-everything\/\">Facebook Destroys Everything<\/a>\n<li><a href=\"https:\/\/crimeandtheforcesofevil.com\/blog\/2013\/01\/youtube-and-heather-dale\/\">Why YouTube Ignores Heather Dale (and will ignore you)<\/a><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Starting in the autumn of 2012, I started a series of articles on doing music &#8211; and, really, anything creative &#8211; in the post-scarcity environment which digital reproduction has created. It got launched by my reaction to an NPR commentary by an intern who noted she&#8217;d bought almost no music in her entire life, and [&#038;hellip<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3,4],"tags":[],"class_list":["post-4143","post","type-post","status-publish","format-standard","hentry","category-business-of-indie-music","category-collections","category-diy"],"_links":{"self":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/4143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/comments?post=4143"}],"version-history":[{"count":3,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/4143\/revisions"}],"predecessor-version":[{"id":9186,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/4143\/revisions\/9186"}],"wp:attachment":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/media?parent=4143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/categories?post=4143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/tags?post=4143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}