{"id":181,"date":"2010-06-03T23:38:15","date_gmt":"2010-06-04T06:38:15","guid":{"rendered":"http:\/\/crimeandtheforcesofevil.com\/blog\/?p=181"},"modified":"2010-06-03T23:38:15","modified_gmt":"2010-06-04T06:38:15","slug":"my-better-half","status":"publish","type":"post","link":"https:\/\/crimeandtheforcesofevil.com\/blog\/2010\/06\/03\/my-better-half\/","title":{"rendered":"my better half"},"content":{"rendered":"<p>So Folklife was definitely the better half of the long weekend wrapping into Tuesday. I already posted about Folklife, which was awesome. The gig in Renton was&#8230; fine, really; technically okay, as far as I could tell; my playing was decent, if not really inspired. I couldn&#8217;t tell how I sounded because the monitor system didn&#8217;t work. I kept the audience around well enough, which is apparently one of their yardsticks; the music manager told me a lot of the musicians they bring in finish up playing to empty seating!<\/p>\n<p>Frankly, I find that terrifying and was glad not to share that fate. It happens for a reason more or less built in to the venue: if you&#8217;re playing there, you&#8217;re also closing a farmer&#8217;s market. The organisers in fact announced market closing right before my last song, and about a third of the audience left <em>then<\/em>, even though I had one more song on my setlist.<\/p>\n<p>I wasn&#8217;t able to get anyone to run a merch table for me (because Renton, because 5:30 start time), which meant I didn&#8217;t even get a chance to try to sell CDs. Amusingly, while I didn&#8217;t put out a tip jar, a couple of people found where I&#8217;d left it (behind the stage, on a table, under a tent) and put money in anyway. <em>That&#8217;s<\/em> determination, and I salute them for it!<\/p>\n<p>But the big thing I learned was that a setlist that really gets people engaged and interested at Folklife isn&#8217;t necessarily going to carry over to other venues. I mean, sure, obviously; I knew that; but I was surprised at the degree. Even &#8220;Stay Away&#8221;\/&#8221;Shout at the Desert&#8221; didn&#8217;t really engage the crowd, and that&#8217;s <em>never<\/em> happened before. Since I didn&#8217;t know the venue beforehand, I just tried to put together a set that sounded really strong <em>to me<\/em>, and tested it against a real audience beforehand, so I thought I was on good footing. I went in optimistic.<\/p>\n<p>But down in Renton, turns out that didn&#8217;t mean anything. Much of the crowd was older (a lot of 60-somethings) and interested mostly in music of the 1950s. I can appreciate that &#8211; I know and often like that music &#8211; but it&#8217;s not what I do. I tried really hard to reach out and engage them, and honestly, without a lot of success. But I soldiered on.<\/p>\n<p>Fortunately, there were also a few families with children, and their kids bounced up and down and danced in front of me the entire time, which always helps. Then they stage-rushed me demanding stickers afterwards, which I am always glad to hand out, and that was just fun. ^_^ I got a real case of giggles seeing one of the moms a few minutes later walking out with a big SKETCHY CHARACTERS sticker stuck to her sweater. I&#8217;ll need to make more!<\/p>\n<p><b>NEXT SHOW:<\/b> Well, actually, I&#8217;m thinking I&#8217;m gonna do the Soul Food Books Open Mic on Saturday, in Redmond. I&#8217;ll premiere new songs, like I always do; come down if you want to hear &#8217;em! But my next official show is Everett Market for 4th of July, Everett Marina, Washington. I&#8217;ll be loading up with traditionals for that one, I think. We&#8217;ll see.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So Folklife was definitely the better half of the long weekend wrapping into Tuesday. I already posted about Folklife, which was awesome. The gig in Renton was&#8230; fine, really; technically okay, as far as I could tell; my playing was decent, if not really inspired. I couldn&#8217;t tell how I sounded because the monitor system [&#038;hellip<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-181","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/comments?post=181"}],"version-history":[{"count":0,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/posts\/181\/revisions"}],"wp:attachment":[{"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/media?parent=181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/categories?post=181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/crimeandtheforcesofevil.com\/blog\/wp-json\/wp\/v2\/tags?post=181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}