{"id":10256,"date":"2017-03-29T08:59:53","date_gmt":"2017-03-29T15:59:53","guid":{"rendered":"http:\/\/crimeandtheforcesofevil.com\/blog\/?p=10256"},"modified":"2017-03-29T08:59:53","modified_gmt":"2017-03-29T15:59:53","slug":"a-late-addition-to-an-old-report","status":"publish","type":"post","link":"https:\/\/crimeandtheforcesofevil.com\/blog\/2017\/03\/29\/a-late-addition-to-an-old-report\/","title":{"rendered":"a late addition to an old report"},"content":{"rendered":"

Remember a long time ago – like, a little over three years ago – I built a ribbon microphone<\/a>? I had all kinds of problems chasing radio interference ghosts and stuff, it was strange and messy but came out with a neat sound in the end.<\/p>\n

Except… even after fixing the RF problems, it was kind of noisy. Not unusably so, not for direct-miking, which is how I’ve used it, but still… kinda noisy. Noisier than it should’ve been.<\/p>\n

I rediscovered this when trying to use it in a “mid-side” type mic setup with the new RK-47, which I was doing just to see how that<\/em> would work. (Tony of Vixy & Tony<\/a> has been after me to try that for a while.) And because it involves playing towards a figure-eight microphone from the side<\/eM> – the point of least sensitivity – it required enough extra gain that the noisiness became a problem.<\/p>\n

Since the special preamp (also a kit<\/a>) was the entry point for the RF noise, and since said amp works with dynamic microphones, I tested that<\/em> for noise, using an SM-58 as input. Dead silent, cranked all the way up. Result: it wasn’t the microphone preamp’s fault.<\/p>\n

Then I remembered how the RK-47\/990B build manual talked so much about making damn<\/em> sure you had no solder rosin or finger oils at the high-impedence connection points in the circuit, and to just scrub<\/em> those connections with isopropyl alcohol. So I took apart the ribbon microphone, redid those solder connections while I was in there, and then scrubbed the hell out of them. A downright confusing amount of old solder rosin came up when I did so.<\/p>\n

Result? Problem sorted<\/em>. Huge drop in noise. There’s still a little at the high end at probably more gain than I even need here – this may be an “only elves can hear this” moment, at least in part – but a little -3db cut starting at 14-15kHz sorts it. It might not even be true noise, it could be something like air movement – ribbons will pick that up in ways nothing else will, and I didn’t turn off the HVAC, etc.<\/p>\n

So, yeah! Turns out that finicky bit about solder rosin and flux is real important<\/em>, kind of generically<\/eM>, at high impedance. Good to know. (And is why I’m posting this, and why I’ll link to it from the old microphone buildout writeups.)<\/p>\n

I still have not the vaguest idea why so much rosin ended up on those connection points. Seriously, it’s weird. That was my old stock of Radio Shack silver solder, which I’d had since I Don’t Even Know When, and not the BenzOMatic solder that gave me so many problems. I never noticed it doing that before<\/em> – but then again, I wasn’t really looking. \u00af\\(\u30c4)\/\u00af<\/p>\n

Anyway, have a test recording I made at 1:30 yesterday morning trying out that configuration, with the Micparts RK-47\/990B kit mic being used as the “mid” and the above-mentioned Austin OTA-1 ribbon microphone as the “side.” It’s intermixed with a recording made simultaneously using a pair of M-Audio Novas in a spread X-Y configuration. Both versions are mixed directly to mono<\/em>, rather than spread-stereo, which is not<\/em> what you usually do, but does allow maximum left-right placement in a mix.<\/p>\n

(This may be called “T” rather than “mid-side” since mid-side includes a kind of subtractive mixing not used here? I dunno. But this is, again, just a straight mix to mono.)<\/p>\n

The recording starts with the RK47\/990B plus OTA 1 pair, then switches back and forth between that and the Novas. Remember: all of this is mono<\/em>.<\/p>\n