I need your opinion on something

One of the big tricks you have to do when throwing your album and/or single out there – either or both, honestly – is say “fans of <foo> will like this, too!”

Typically, that’s who you sound kind of like. I flailed around on that pretty hard with Dick Tracy Must Die, and I’m still not happy with choices I made.

So who would you list?

I think it’s clear that the lists would be different for the songs (particularly “Something’s Coming” and “Song for a Free Court/Anarchy Now!”) than for the instrumentals. So both of these would be really helpful.

Obviously, I’ve got a few – mostly the ones left over from Dick Tracy Must Die for the songs, and a bunch of Newfoundland and Quebecois trad bands for the instrumentals. But I’m not happy with either list.

Got any ideas? I really could use the suggestions.

occasionally things get weird

Over the last week, a post that’s well over a year old has received almost 1,000 hits. And most of the people loading it are sticking around long enough to read it, or at least large chunks thereof.

I have no idea why. Or where they’re coming from. None. No referral URLs, no sources given, they’re not search results. I got nothin’.

My best guess it it’s found its way onto some school mailing list. But that’s a complete guess. Anybody got any ideas? Because I got nothin’.

Also it’s Cyber Monday or whatever so go listen to the new single and pre-order the album! We need to pay the mastering engineer. DO IT DO IT DO IT! XD

First single!

The Bone Walker sneak preview is up now! The first single – “Something’s Coming” – is out RIGHT NOW. Preorders for the CD are up right now too!

I was going to post this as “PREORDER THE ALBUM YOU FUCKS” but Anna was all NO NO NO NO NO but personally I think that’s a great slogan. She has no idea how to market, I tell you. And yet, I’m taking her advice.

Seriously tho’, preordering pays for the mastering engineer and we need this thing mastered. The whole album won’t ship until January 2015 though so don’t think it’s that kind of gift, ’cause it’s not. But you can have the single RIGHT NOW! which is pretty cool.

GO GO GO GO GO GO GO!

Sneak preview AND single RIGHT NOW!

SCREW BLACK FRIDAY, WE’RE DOING THIS RIGHT NOW!

The Bone Walker sneak preview is up RIGHT NOW. The first single – the full-band studio recording of “Something’s Coming” that has been the most-asked-for thing for the last three years – is out RIGHT NOW. Preorders for the CD are up RIGHT NOW.

Preordering pays for the mastering engineer and we need this thing mastered. So RIGHT NOW is a great time to pre-order. The whole album won’t ship until January 2015 and we all gotta deal with it, but the single? You can have that RIGHT NOW.

GO GO GO GO GO GO GO!

something is coming

Something is coming. Not saying exactly what. I mean, you know it’s not the new album, that’s not coming out ’till January and the big release event at Conflikt.

But something, and something relevant. And soon. Probably Friday. GOSH I WONDER WHAT IT COULD BE. I’m trying to be coy, and frankly, I’m bad at coy. I’m better at orbital bombardments. Oh well, I have a plan, I’ll stick to it. OR WILL I?

Until I decide, enjoy this rock candy and chocolate geode I made. I’m pretty happy with how it came out, particularly after the…

…rocky start I had making it…

Distant early warning: January 30-February 1, 2015

NOW IT CAN BE TOLD: We will be having the official release event for Bone Walker: The Free Court of Seattle Original Soundtrack Album at Conflikt 2015 in Sea-Tac, just south of Seattle, Washington. It will also be the release event for book two in the Free Court novel series, also called Bone Walker.

This is going to be a full-band event, with readings, details of all of which will be forthcoming once everything’s nailed down. Certain key guest players from the album will be joining us on stage, and it’s going to be awesome.

Otherwise, sorry I’ve been a bit quiet, things are happening. More to come soon. Lots more, I hope. :D

something entirely new: recording horns

Getting ready to try to record horns in my personal studio – a trumpet and a trombone. Frankly, I’m not sure this is going to work. But Shoreline decided we couldn’t use their facilities once they found out there was money involved, which limited our options pretty dramatically – here, the park by the lake, maybe on the bus? That’d add a unique sound – but one way or another, we’re trying it.

Maybe it’s for the best we didn’t get to use Shoreline’s studio. I’ve always used virtual boards, and when I walked into the control room at Shoreline, it was kind of like this:


so many switches

…only much bigger, because they have had some upgrades. Apparently Paul Allen gave them a bunch of stuff and I was all, “…I know what all these knobs do… in theory…”

So, yeah! My studio it is. Wish us luck.

edible geodes!

YES EDIBLE GEODES OH MY GODS I WANT TO MAKE THESE SO MUCH

SCIENCE! Sort of.

happy I bailed when I did, I suppose

I’ve been hearing about the finale for this year of Doctor Who, and most people are really unhappy. Had I not already bailed, I would’ve turned the finale off halfway through, for certain, when they pulled one reveal involving a particular Cyberman. So I’m glad I wasn’t there for it.

Aside from that, though, I’ve never heard The Doctor Who Podcast people this upset and unhappy. I’m hearing a lot of reasons, and many of them sound awfully familiar.

Several episodes ago, in response to “Kill the Moon,” I sent in some audio feedback they chose not to use. I’ve transcribed the core of it, taking out introductions and the like and adding a phrase to clarify a point that was clear in spoken form, but not clear in written text. It is otherwise unchanged. I present it for your consideration.

Audio feedback for The Doctor Who Podcast
Recorded 11 October 2014, transcribed 10 November 2014

I just watched “Kill the Moon.” And I can’t care anymore.

I have seen almost every surviving episode of Doctor Who. There’s a few I’ve saved, kind of holding in reserve – but the local PBS station here runs them all in sequence, starting way back at William Hartnell and chugging right through to the end of the classic series, and then starts over again. Which is how the second doctor, or as I used to call him, Shemp Doctor, is my doctor. Because that’s where I came in.

There are a lot of reasons why I’ve been unhappy with Mr. Moffat, but I’ve been sticking with him, thinking, ‘I’ve made it through Colin Baker, I can make it through this.’

And then “Kill the Moon” happened.

Doctor Who has descended to a point of incoherence I associate with the television show Superfriends. This was an animated show, a superhero saturday-morning-cartoons little-kid’s show, and pretty much literally anything could happen at any time. It didn’t have to make any sense.

And here we have an episode of Doctor Who wherein… the moon… magically doubles its mass, turns into a space dragon, flies away, and leaves a replacement… moon egg… in its… place?

Lost in Space would’ve thought twice about this.

I don’t expect hard science from Doctor Who. It’s space fantasy, I get that, it’s science fantasy, I get that. But I expect things to make some degree of sense. I expect there to be some coherence. I look for some relationship to the world in which it’s set.

Now yes, yes, yes, yes, it’s a fool who looks for continuity in the annals of Doctor Who. But I’m not talking about continuity across episodes, I’m looking for coherence within one.

Right now, there are fewer rules in the Doctor Who universe under Moffat than there are in Hogwarts. It is a more magical – by which I mean random and arbitrary – place than the Harry Potteruniverse.

And I can live with that to some degree. I can live with that if it’s a light hearted and kind of silly environment. For example, The Thrilling Adventure Hour. That is totally a magic world; anything can happen at any time, and it’s hilarious.

A lot of old Who, when it gets kind of magical and random, at least has a charming eccentricity to it, kind of a lightness that you can go along with, that you can follow along with, and you like the people on screen.

But this isn’t that. This is trying to be drama. But in this environment, there can be no consequences, there can be no results of actions, there can be no results of decisions. Drama relies on all of these happening, and without them, fundamentally, there can be no drama.

Right now, anything can happen, at any time, for no reason. That is not drama. You cannot run drama that way, it doesn’t work. But that’s where Doctor Who is right now.

All the things that make a magic world work are missing. I don’t like any of these people; there’s no humour; there’s no light touch; it’s all very heavy handed; it is deathly serious and because everything is arbitrary, there can be no drama that functions as drama, which means there’s nothing left.

Fortunately I have Big Finish, which I will continue to attend to closely, and I have the classic series. But the current series… I’m just done.

Wake me up when Moffat’s gone. I’ll give it another go then. But not until.

numbers stations are passé

Check this out: listening to dead satellites. Or at least semi-dead satellites. These are satellites with dead batteries but with transmitters which turn on whenever the solar panels are in the right direction anyway. Some of the noises they make are weird and interesting.

I particularly like Transit 5B-5, launched 1964, for military navigation purposes. But recordings of many different satellites can be found at the link. Echos of the cold war – fitting, don’t you think, for the days surrounding the anniversary of the fall of the Berlin Wall?

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